Set inside a warm, stylish lounge, The Legacy Lounge will feature four 30-minute episodes, each spotlighting a new Black Academy honouree. Anderson and James guide heartfelt conversations that explore each guest’s personal journey, societal contributions, and the legacies they are building for the next generation. The series blends humor, reflection, and human connection bringing audiences inspiring stories wrapped in authenticity and joy.

“This is not just a talk show; it is an immersive experience where laughter, insights, and music create memorable moments,” said Shamier Anderson, Executive Producer and series co-creator. “Our goal is to provide a platform for powerful Black narratives… Each guest brings a unique story that deserves recognition and celebration.”

Stephan James echoes that mission: “Shamier and I believe in the importance of representation and storytelling. Through The Legacy Lounge, we aim to connect our audience with the incredible individuals who inspire change and progress in our communities. We want viewers at home to feel the warmth and authenticity of these conversations.”

CBC also voiced its support for the new direction. “We’re excited about the evolution of the Legacy Awards to this new format,” said Sally Catto, General Manager, Entertainment, Factual & Sports at CBC. “The Legacy Lounge will provide an in-depth and intimate tribute to honourees, and we’re looking forward to sharing these stories with audiences across the country.”

With a lineup of notable honourees from artists to innovators to community leadersThe Legacy Lounge centers Black Canadian excellence through meaningful dialogue and cultural celebration.

The four-part special will premiere during Black History Month in February on CBC Gem and later on CBC TV, with exact dates to come. Additional honouree announcements are on the way.

The Legacy Lounge is co-created and executive produced by Shamier Anderson (John Wick) and Golden Globe nominee Stephan James (If Beale Street Could Talk). Emmy Award winners Jesse Murphy (Laugh It Forward) and Andrew Barnsley (Schitt’s Creek) serve as Executive Producers. Tse Daniel and Shelby Bronstine oversee production on behalf of Bay Mills Studios, The Black Academy, and Project10.

CBC production executives include Sally Catto (General Manager, Entertainment, Factual & Sports), Jennifer Dettman (Executive Director, Unscripted Content), and Nic Meloney (Executive in Charge of Production, Unscripted Content).

Photographer Credit: Sarah Del Angel 

The post Shamier Anderson & Stephan James Launch The Legacy Lounge, a Powerful New Celebration of Black Canadian Excellence appeared first on Black Girl Nerds.

In most cases, these languages are developed up to the point of being useful for movie or cinematic dialogue, but some have evolved further into fully developed languages that can be used during coherent conversations. Klingon and Elvish are the first that usually come to mind, and though the latter doesn’t actually belong to the sci-fi category, it’s one of the most, if not the most, developed fictional language spoken by the fans.

From Doctor Who’s Gallifreyan, which was recently brought to life by the BBC’s Gallifreyan Translator, Star Trek’s Klingon, and Futurama’s Alienish, to Avatar’s Na’vi, we’ve comprised the list of five sci-fi languages fans of the genre should try and learn.

Elvish

While J.R.R. Tolkien’s The Lord of the Rings universe doesn’t belong to the sci-fi genre, the creator of Elvish is most often credited as the first person to invent entire complex languages, purely for the fun of it — there are other made-up languages, such as Esperanto, that predate Tolkien’s work, but these were exclusively conceptualized with real-world applications in mind.

Elvish has a total of 7,000 recognized words, and it’s often categorized into two versions: Quenya, spoken by High Elves, and Sindarin, spoken by Grey Elves. Both versions of this language draw their roots from real-world languages, such as Finnish, Welsh, Greek, and Latin. Learning either version of Elvish, however, doesn’t really require any prior knowledge of any of the aforementioned real-world languages, and there are plenty of online resources you can learn from.

Klingon

The Star Trek universe encompasses several television/streaming series and other releases, offering a unique perspective on the wonders and dangers of space travel and exploration while also offering plenty of social commentary. Star Trek’s Klingon might not be the most melodic language from this list or the easiest to learn, but it’s one of the most developed fictional languages, thanks to the franchise’s dedicated fans.

In fact, the language has evolved to the point that several books have been written and published on it. Those behind the franchise often seek voice actors who know at least the basics of Klingon, and the Klingon Language Institute — yes, that’s a real thing — publishes quarterly journals dedicated to helping fans learn the language of this humanoid warrior race from Star Trek.  

Na’vi

The language spoken by the nature-loving tall blue aliens from James Cameron’s Avatar was specifically created for the movie by Paul Frommer. The language was developed with human learners in mind, which is why it actually isn’t too distant from Earth’s languages. It took Frommer six months to develop enough words and vocabulary that would allow James Cameron to develop a script for the movie.

Na’vi originally had only 1,000 words developed for the purpose of the movie, but subsequent video games and other media drove the development further. According to learners, Na’vi is one of the simplest sci-fi languages to learn, as it features many aspects of existing real-life languages but combines certain linguistic elements in a unique way. There are plenty of online resources you can learn from.

Kryptonian

Kryptonian, a language spoken on Superman’s home planet, Krypton, is arguably the hardest of all sci-fi languages, as there are four different written versions of it spread throughout the comics and different media. The comic book version of the language was created by Nelson Bridwell; it features a 118-letter alphabet, and it was used in 1986’s Men of Steel, as well as in subsequent releases.

Another version of this language was created by Christine Schreyer for 2013’s Man of Steel, starring Henry Cavill. This version features Kryptonian symbols, which represent syllables instead of individual letters, or glyphs, which represent entire words or concepts. Both versions have many written guides, alphabets, and translations available online.

Huttese

Huttese is a fictional language spoken by the slug-like species known as the Hutt in Star Wars — the most notable of whom is Jabba the Hutt. There are other artificial languages written for Star Wars, including Ewokese and Shyriiwook, which are spoken by Ewoks and Chewbacca, respectively. However, none of these other languages from Star Wars are as prominent as Huttese, which isn’t fully developed but has its own alphabet and a vocabulary containing some 600 words.

Honorable Mention: Gallifreyan

Given the renewed popularity of Doctor Who, we would be remiss not to mention Gallifreyan. There are several different versions of this language, including Old High Gallifreyan, Modern Gallifreyan, and Circular Gallifreyan. The first two are written using mathematical formulae and different symbols, while the latter consists of interlocking circles, hexagons, and lines. For those interested in taking a look at circular Gallifreyan, BBC just released a Gallifreyan translator.

Final Thoughts

Though it might seem whimsical at first, learning a fictional language is a fantastic gateway to exploring the creativity, culture, and community within a fandom. Whether it’s the elegance of Elvish or the grit of Klingon, each of these languages offers a unique perspective on its fictional universe, and learning them could help you find a deeper connection to the narratives and stories you love.

The post 5 Sci-Fi Languages Everyone Should Learn appeared first on Black Girl Nerds.

Erivo earned her nomination for Wicked: For Good, continuing her triumphant run as Elphaba while helping propel the film into multiple top categories, including Cinematic and Box Office Achievement and Best Original Song. Her historic recognition is not only a personal milestone but a long-overdue moment of industry acknowledgment for Black women leading large-scale musical productions.

Ryan Coogler’s Sinners proved to be one of the most dominant contenders this year, earning a total of seven Golden Globe nominations, including:

• Best Motion Picture – Drama
• Cinematic and Box Office Achievement
• Best Actor – Drama (Michael B. Jordan)
• Best Director (Ryan Coogler)
• Best Screenplay (Ryan Coogler)
• Best Original Score (Ludwig Göransson)
• Best Original Song (“I Lied to You”)

The film’s fusion of genre, social commentary, and emotional weight has clearly resonated with voters, positioning Sinners as one of the awards season’s most formidable contenders.

The Best Motion Picture – Drama category includes:

• Frankenstein (Netflix)
• Hamnet (Focus Features)
• It Was Just an Accident (NEON)
• The Secret Agent (NEON)
• Sentimental Value (NEON)
• Sinners (Warner Bros. Pictures)

In Best Motion Picture – Musical or Comedy, bold entries like Bugonia, Marty Supreme, and Nouvelle Vague face off against Warner Bros.’ One Battle After Another and Netflix’s Blue Moon.

Animated features also make a powerful showing, with contenders like Zootopia 2, Elio, and KPOP Demon Hunters highlighting animation’s growing narrative ambition.

The Cinematic and Box Office Achievement category reflects true blockbuster power with titles like Avatar: Fire and Ash, Mission: Impossible – The Final Reckoning, Wicked: For Good, and Sinners leading the charge.

Acting races are especially fierce this year. Drama nominees include Michael B. Jordan, Oscar Isaac, Tessa Thompson, Julia Roberts, and Eva Victor. On the comedy and musical side, alongside Cynthia Erivo, nominees include Emma Stone, Kate Hudson, Timothée Chalamet, and Leonardo DiCaprio.

Supporting categories spotlight a dynamic mix of veterans and breakout stars, with nominees such as Ariana Grande, Teyana Taylor, Jacob Elordi, Paul Mescal, and Adam Sandler.

Television nominees reflect a stacked year, with The White Lotus, The Bear, Abbott Elementary, Severance, and Only Murders in the Building dominating their respective categories. Acting nominees include Sterling K. Brown, Ayo Edebiri, Jean Smart, Jeremy Allen White, Natasha Lyonne, and Rhea Seehorn, ensuring some of the most competitive TV races in recent memory.

With Cynthia Erivo’s history-making nomination, Sinners emerging as a seven-time nominee, and a global slate that stretches from Tunisia to South Korea to Hollywood’s biggest soundstages, this year’s Golden Globe nominations signal a powerful shift toward inclusive storytelling, genre innovation, and bold creative vision. Awards night is shaping up to be one for the history books.

The post Cynthia Erivo Makes Golden Globes History as ‘Sinners’ Dominates with Seven Nominations appeared first on Black Girl Nerds.

Fortunately, the movie Formula 1 has expanded our perception by featuring Damson Idris as a competitive and, at times, overly confident race car driver. The appearance of a Black race car driver on the big screen it reminds us that Black athletes are not limited to mainstream sports like football and basketball.

Let’s explore some parts of that history that are often overlooked and learn about the men who opened doors for people of color aspiring to get behind the wheel. Here are some Black Drivers in motorsports you should know about.

Dewey Gatson / “Rajo Jack”

The name “Rajo Jack” might sound unfamiliar, but it holds great significance in motorsports history.  Dewey Gatson, born on July 28th, 1905, in Tyler, Texas, earned his nickname from selling parts for Rajo Motor Manufacturing.

Gatson was one of the first African American race car drivers in America, despite being barred from competing in sanctioned American Automobile Association (AAA) events. While there was no formal law preventing African Americans from racing in AAA events, racial discrimination at the time excluded many Black drivers from competing.

As a result, Gatson competed in “outlaw circuits” and even pretended to be Portuguese to gain entry into certain racing arenas.

His racing journey began in 1923 with a Model T Ford. In 1936, he celebrated his first victory, winning by two laps at the Los Angeles Speedway.

Because of Rajo Jack’s presence in the racing scene, he paved the way for others to follow in his footsteps. In recognition of his contributions, he was inducted into the West Coast Stock Car Hall of Fame in 2003 and the National Sprint Car Hall of Fame in 2007.

Charles Wiggins

A four-time winner of the Colored Speedway Association’s Gold and Glory Sweepstakes race, Charles Wiggins was one of the most supportive and influential figures within the race car scene. 

His interest in cars began while he was shining shoes at an auto repair shop, where he worked his way up to become a mechanic’s assistant. When World War I broke out, Wiggins took on managing the auto shop floor due to a shortage of workers.

As his love for cars grew, Wiggins eventually designed his own race car and sought to participate in the Indianapolis 500, known as “The Greatest Spectacle in Racing.” Unfortunately, his application was denied, but that didn’t stop him from exploring other avenues.

Wiggins joined the Colored Speedway Association, an organization for Black race car drivers in the Midwest. He was eventually able to compete in races organized by the Association and won four times, driving cars he had designed himself.

Although he never competed in the Indianapolis 500, Wiggins contributed significantly by helping engineers design winning cars. Though not widely known publicly, he was highly praised and honored within the racing community.

Joie Ray

Joie Ray, born Joseph Reynolds Ray Jr., was the first Black driver to break color barriers by participating in a sanctioned sprint car race with the Midwest Dirt Track Racing Association.

He earned the nickname “the Jackie Robinson of racing” because Ray’s and Robinson’s debuts occurred about a week apart.

Ray got his start in racing after placing a bet and winning $500, which was enough to buy a Dodge four-cylinder sprint car priced at $450. This investment enabled him to compete in various racing organizations, including the Central States Racing Association (CSRA) and the International Motor Contest Association (IMCA), where he became the first African American to race.

Throughout his career, Ray secured numerous top-5 and top-10 finishes, racing alongside notable drivers such as Bill Cantrell, Cliff Griffith, and Chick Smith. His contributions to the sport were recognized when he was inducted into the Hoosier Auto Racing Fans (HARF) Hall of Fame in 1995.

Lewis Hamilton

Sir Lewis Carl Davidson Hamilton is the first Black driver to compete in Formula 1. 

Born on January 7, 1985, in Stevenage, England, Hamilton began his racing career in karting at the age of six, winning multiple national and international karting championships.

As a teenager, he was recruited into the McLaren-Mercedes Young Driver Programme, which laid the foundation for his career. Hamilton made his Formula 1 debut in 2007. In his rookie season, he won four races and finished just one point behind the World Champion, Kimi Räikkönen.

Hamilton’s fame continued to grow when he won his first World Drivers’ Championship in 2008, becoming the then-youngest World Champion in Formula One history. 

Throughout his career and alongside teammate Nico Rosberg, Hamilton secured multiple titles, including back-to-back championships in 2014 and 2015. Following Rosberg’s retirement, Hamilton went on to win further titles in 2017, 2018, 2019, and 2020, reaching a record-tying seven World Championships alongside Michael Schumacher.

In addition to his record-breaking racing achievements, Hamilton has been a prominent advocate for racial justice, diversity, and environmental sustainability, using his platform to influence positive change within and beyond motorsport.

Whether you are a fan of racing or new to the sport, it is important to recognize the pioneers who opened doors for Black drivers, Black athletes, and other people of color. Though many of these individuals may only be well-known within certain circles, their impact has transcended generations.

The post Black Drivers in Motorsports You Should Know About appeared first on Black Girl Nerds.

Hart and Thompson aren’t just hosting, they’re actually executive producing, ensuring the show has their signature humor and insight are woven into every segment. Expect athlete interviews, on-field stunts, and commentary on the week’s hottest sports topics. As Hart puts it, “We’re celebrating sports culture in a way that’s fresh, unfiltered and full of laughs.” Thompson adds, “This is us just being ourselves—cracking jokes and probably pulling muscles we didn’t know we had.”

What makes Good Sports stand out in a crowded sports media landscape is its refusal to take itself too seriously. While traditional sports talk shows can lean on stats and analysis, Hart and Thompson are here to make sports feel human, relatable, and downright funny. It’s the kind of show where casual fans and die-hard enthusiasts alike can laugh, learn, and maybe even argue over which pickup game highlight was the funniest.

Streaming platforms are increasingly realizing that sports content is about culture, entertainment, and community. Good Sports taps into all of that, offering a fresh perspective that’s both entertaining and culturally resonant. For fans of comedy, sports, or just good vibes, this is a show to mark on your calendar.

Good Sports drops on Prime Video Tuesdays, starting November 25, 2025. Prepare for laughs, energy, and maybe a few sports takeaways you didn’t expect.

The post Kenan Thompson and Kevin Hart Are Bringing Laughs (and Energy) to Sports Talk on Prime Video appeared first on Black Girl Nerds.

Black Girl Nerds had the opportunity to get a 1:1 interview with Corey to talk about his historic and monumental role as one of the most iconic characters in the Disney franchise on the Disney Destiny Cruise Line.

Describing the opportunity as a “dream come true,” Bradford embraces the chance to breathe new life into the beloved Disney hero, leading a show that blends powerful live vocals, aerial stunts, and innovative choreography to transform the animated classic into a spectacular experience at sea aboard the Disney Destiny.

As the lead in Disney Cruise Line’s newest Broadway-inspired production, Bradford is redefining what it means to be a hero at sea, bringing a fresh sense of soul and authenticity to the iconic character.

When asked about his favorite musical artist, Bradford doesn’t hesitate. “Beyoncé,” he says with a grin. “Do we even have to say why? Her artistry alone — but also her strategy, her work ethic — it’s really admirable. I’d love to have even an ounce of what she has.” That blend of humility and ambition shines through in his portrayal of Hercules.

Stepping into such a legendary Disney role could easily feel daunting, but Bradford approaches it with gratitude rather than pressure. “It was such an honor,” he says. “Once it was official, I just wanted to do it justice. I know how many people hold this story near and dear — and I’m one of them. I wanted to tell my story through Hercules. I’m not out here fighting Titans or Hydras,” he laughs, “but we all face our own challenges. I wanted to use what I’ve been through — the good and the bad — to bring authenticity to the story.”

For Bradford, the role demands both vocal precision and physical stamina. “It’s very physical,” he says. “You’re running around, singing, dancing, and then there’s the choreography and fight sequences with these incredible, larger-than-life puppets. I remind myself before every show to keep it honest and stay present. No performance is ever exactly the same that’s what keeps it exciting.”

When it comes to favorite moments and song selections from the Disney musical, Bradford lights up. “Zero to Hero hands down,” he says. “It’s always been my favorite song, even before this show. It’s a big, high-energy number that makes you want to stand up and dance. And the gospel influence? That’s home for me. I grew up in the church, so that music moves me every time.”

Performing for guests aboard the Disney Destiny has been deeply rewarding. “Seeing the faces in the audience the smiles, even the tears — it reminds me that we’re all connecting through the same emotions. After the show, hearing people say how much it meant to them just confirms that what we’re doing matters.”

Bradford also draws creative energy from his castmates, especially Matthew Patrick Quinn, who plays Hades. “He’s such a seasoned professional,” Bradford says. “Watching how he approaches the work is inspiring. I try to take bits and pieces from everyone I work with and bring those lessons into my own craft.”

As the Disney Destiny continues its voyages, Bradford’s Hercules reminds audiences and perhaps himself that true heroism comes from perseverance, heart, and the courage to keep going the distance.

The post Corey J. Bradford Redefines What It Means to Be a Hero at Sea in Disney’s New ‘Hercules’ Production appeared first on Black Girl Nerds.

30. Mortal Kombat: Jade

Whether you go with the OG MKII look or a skin from MK11, nothing would make a bolder statement than pulling up in Jade’s signature bodysuit. Throw in her pink staff for added attention to detail. 

29. Tekken: Eddy Gordo

Eddy is one of the flyest video game characters around. Just look at this skin from Tekken 7. The cheetah print jacket with the metal rings!? Slay.

28. Hey Arnold!: Gerald

You can never go wrong with a Gerald costume. Whether you go with the everyday look or a giant strawberry suit, any variant will do.

27. The Boondocks: Various

The Boondocks oozes Halloween inspo with its iconic line-up of original Black characters. A Pimp Named Slickback would be a good one. 

26. The Rugrats: Susie Carmichael 

Susie Carmichael is one of the greatest Black mascots to ever grace children’s programming. Although she has a few costumes, the signature yellow top with purple leggings would really hit home.  

25. Rocket Power: Reggie Rocket

A Reggie Rocket costume would eat! For this look, pair your favorite camos with a pink cropped tee (bonus if you can stitch the rocket). Throw in the matching pink shades to really pull the look together. 

24. Major Payne: Major Payne

A Major Payne costume would be a riot! Throw in the accent and gold tooth for accuracy.      

23. Don’t Be a Menace to South Central While Drinking Your Juice in the Hood: Loc Dog

A Loc Dog costume is simple yet, fun idea. With the random miscellaneous items he hangs in his hair, creatives will have a great time with this one. 

22. Entergalactic: Various

With costumes reportedly designed by the late Virgil Abloh, dressing up as the characters in Entergalactic would be a great excuse to show off your flyest streetwear.

21. Atlantis: The Lost Empire: Kida

A childhood hero in the ’90s, a Kida costume would be such a cute throwback. The blue tribal dress and staff will bring out the Atlantean in you.

20. My Hero Academia: Mirko

A Mirko costume would be a showstopper, for sure. The No. 5 heroe’s stacked physique and adorable bunny accents have even been replicated by Megan Thee Stallion. 

19. Avatar: The Last Airbender: Katara

In a span of three seasons, Katara gave us plenty of Halloween looks to choose from. Her Fire Nation look is pretty popular.

18. Blankman: Blankman

A Blankman costume would have people falling out. Not only is it fun, but it’s super low-budget since it’s made of everyday household items. 

17. Hercules: The Muses

Bringing the Muses to life would be just like dressing up for a toga party. With five distinctive looks, styles, and personalities, grab the girls and do it together. 

16. Wendell & Wild: Kat

The Alt Black queen from the stop-motion horror Wendell & Wild is a must-try look for spooky season. Her funky green hair and platform boots provide an edgy touch to one of the spookiest nights of the year. 

15. Spider-Man: Across the Spider-verse: Spiderpunk

After his introduction in the web-slinging Blockbuster Across the Spider-verse, Hobie Brown has become a mascot for the punk rock Blerd. His leather vest and spiky hair would be a refreshing sight among mass-produced superhero costumes.

14. Clueless: Dionne

Years before Migos coined the term, Dionne embodied the term “bad and boujee.” Since she graces the streets of Beverly Hills in some of the flyest looks Hollywood has ever seen, you’ll have an ample of amount of stylish Halloween inspo.

13. The Fifth Element: Ruby Rhod

Who can forget sci-fi’s messiest radio host: the lavishly flamboyant Ruby Rhod? His leopard print bodysuit and blonde pompadour would guarantee a night of fun. 

12. Rodgers & Hammerstein’s Cinderella: Cinderella

Years before live-action adaptations became a trend, Brandy played Cinderella in the ’90s telefilm Rodgers & Hammerstein’s Cinderella. Her signature ballroom gown and bold blue eye shadow are a nice throwback for Halloween.  

11. House Party: Kid N Play

This dynamic hip-hop duo is so iconic, you’ll be recognized instantly. An homage to their pajama party rager from the sequel would be fire.

10. B.A.P.S.: Nisi & Mickey

Dressing up as Nisi and Mickey from this ’90s classic would be fun. Their elaborate hairstyles and loud costumes would definitely get a rise out of friends and family.

9. Queen of the Damned: Queena Akasha

Follow in the footsteps of Blerds like Issa Rae and throw together Queen Akasha’s sultry look. Gracing the floor as a vampire queen would definitely awaken your Halloween spirit.

8. Bring It On: The Clovers 

This iconic look from the teen classic Bring It On is a costume that never misses. Grab your squad, and prepare to embody some of the hottest, fiercest, most competitive cheerleaders pop culture has ever seen.   

7. The Last Dragon: Shonuff

When I say “Who’s the master?” you say: “Shonuff.” Shonuff is a certified rockstar in Black cinema. As Shonuff, you’ll get to tap into your inner bad guy as you step out as the flashiest Shogun Harlem has ever seen. 

6.The Matrix Reloaded: Niobe

Halloween is the perfect time to finally dress up as one of sci-fi’s most badass heroines, Niobe. Her signature snakeskin suit, black shades, and bantu knots are guaranteed to slay. 

5. The Matrix: Morpheus

Only the coolest of cool can pull off a Morpheus costume for Halloween. Truthfully, it wouldn’t take much. Combine your long black overcoat with rounded shades and skinny black tie, and bam. When you’re Morpheus, it’s less about the clothes and more about the attitude. 

4. Pirates of the Caribbean: Dead Man’s Chest: Calypso

Calypso’s signature locs and blackened teeth will help you tap into your wicked side. With this look, don’t worry about being perfect: the grungier the better. 

3. Purple Rain: The Kid

This Black ’80s classic is full of fun retro looks that can be recreated for Halloween. Prince’s stylish flamboyant looks would make the crowd go crazy. 

2. Poetic Justice: Justice

Janet Jackson’s signature jumbo braids in this ’90s classic are the blueprint. The influence of this iconic look is still felt in hair braiding shops to this day. Justice’s down-to-earth vibe would be a refreshing touch of realism among a sea of fantasy heroes and witches.

1. Bebe’s Kids: Bebe’s Kids

Dressing up as the cast from the ’90s classic Bebe’s Kids would be a fun blast from the past. Tapping into your inner Khalil, LaShawn, or Pee Wee would give you an excuse to run wild and free as you recreate some of the baddest kids in Black cinema history.

The post A Blerd Halloween: 30 Costumes Inspired by Black Characters appeared first on Black Girl Nerds.

With the critical and box office success of Get Out, A Quiet Place, and Hereditary, as well as the ongoing success of shows such as The Walking Dead and its offshoots, horror has been making its way from the shadows into the mainstream gaze. The Purge franchise — known for its brutal films and social commentary — even has a 10-part miniseries made for network television on USA Network. Horror narratives are having a pop-culture moment for sure. But why? Why are more and more people drawn to such dark visions and on-screen violence? Why do those of us lifelong fans of horror stories keep coming back for more? Is there a “pleasure” in horror?  

For me, certain kinds of horror movies serve a therapeutic function to help me deal with trauma. From the safety of my home or home library, I watch these movies and descend into someone else’s worst day. Through their journey, I go on my own all the while knowing I am safe and protected. The films that are most effective for my self-therapy tend to be trauma-of-the-home films. These stories feature someone who needs to return to the scene of a childhood trauma or loss, and how they cope with that dark history. Favorites like Pascal Laugier’s Martyrs, Flowers in the Attic, and the 1990 IT miniseries have been some of my biggest collaborators on this road to healing.

Because I had a nomadic upbringing around the world, it’s not possible to return to any of my original sites of trauma. These trauma-of-the-home narratives give me an opportunity to join others as they return to houses and places haunted in different ways, and confront my own demons along with them. I’m also a rare female fan of the rape-revenge genre. The more feminist installments of these films like Revenge and M.F.A. have helped me process and move beyond terrible events. Horror films have been indispensable for maintaining my mental health.

Writer and professor Kate Durbin also uses certain kinds of horror movies in this unusual way to help confront and heal past trauma from the safety of her own home. For Durbin as well, the “pleasure” in watching horror movies is in direct correlation to how it helps confront and heal past trauma.

“I find stories of hauntings and possession films to be up there at the top for me. Trauma possesses and haunts us; we may try and escape it but it never fully goes away. It leaves traces in us and in the environment,” Durbin says. “I like films like The VVitch and Jennifer’s Body, films that deal with the trauma of being in a woman’s body in a misogynistic world. I like that the women in these films turn into monstrous demons/witches both as a result of their trauma and in defiance of it.”

Durbin first discovered this strange healing power of horror when she began developing college courses on the genre 10 years ago. She tells me, “I realized I found horror therapeutic sometime in the early years of teaching it. I feel horror is a safe space in which to process trauma (at least for me, I know a lot of people find it the opposite). And I’m talking about collective, cultural trauma as well as my own personal trauma.”

For Graveyard Shift Sisters founder and lifelong horror fan Ashlee Blackwell, one of the pleasures gleaned from horror involves centering the faces and voices of Black and other POC. Both on and offscreen, these faces are often hideously marginalized in horror movies and the broader horror production industry. In particular, Black women in horror tend to get the brunt of the worst treatment and focusing on their experiences suddenly becomes an act of social and political subversion.

In an interview with Remedial Horror Blackwell writes, “I spent my entire life feeling like the only Black woman who had a deep interest in horror, and that only doubled my frustration because I didn’t want to believe such an irrational musing.” In fact, it was Blackwell’s series on Black Girl Horror Nerds in October 2014 right here on BGN that helped lead to Graveyard Shift Sisters.  

Beyond this important de-marginalizing aspect of her work, Blackwell’s enjoyment of the genre is also deeply personal. The worlds created by horror storytellers as well as relatable characters to empathize with — people who remind you of friends or those you love in terrible situations — draws her back into the genre again and again. Blackwell tells me, “Regular, complex people in these extreme circumstances who you mourn for and cheer on to survive is an important element of the human condition. That instinct to survive is probably our most primal, and the best filmmakers have the unique ability to make us believe in the supernatural, dystopia, etc. and pull us in with a reflection of ourselves.”

For Dread Media founder Desmond Reddick, part of the pleasure of horror is the fan community. It builds around the genre as well as being able to promote and discuss indie creators and their projects in the industry. On an individual level, Reddick also sees horror films’ endings as giving a virtual middle-finger to happy Hollywood finishes. Doing so is like taking pleasure in the dismantling of the “all’s well that ends well” notion, which is rarely true in real life.

Reddick says, “It’s also inspiring to see someone put into harrowing circumstances and coming out the other end stronger. And there’s something profoundly comforting in an unhappy ending as well. The pure gall to do it says, ‘F*ck Hollywood’”

Reddick also sees lifelong horror fans as a special breed of pop culture consumers. He tells me, “Monster Kids are different, I think. We look at the world in a different way. We can see something beautiful in a film or book that ends horribly and know that life is often exactly that.” I agree that there is great comfort and pleasure in being able to examine a situation in a movie and know that it would play out similarly in real life. That can be the scariest thing about horror. And also the most meaningful, and pleasurable part.

When it comes to theories of horror, Durbin’s and my method of horror movies as self-therapy corresponds with Julia Kristeva’s notion of “the abject.” This involves the often-painful and uncomfortable exploration of the physical, social, cultural, and psychosocial spaces where a rupture has occurred. We find solace in those spaces as we simultaneously try to repair them. Durbin’s process also involves Barbara Creed’s notion of the monstrous feminine and reclaiming a female body abused by patriarchal forces.

In many ways, Blackwell and Reddick’s enjoyment of horror relies on Laura Mulvey’s notion of the gaze — and its power — in horror films in particular. Blackwell has shifted what is the traditional white male gaze in horror movies to that of Black women, and this opens up an entirely new framework through which to enjoy and analyze horror stories. Reddick and his community appreciate horror as a kind of collective, examining horror movies from a group gaze as well as a personal one.

In these contexts, the “pleasure” in horror is not necessarily an enjoyment of being frightened or scared, but rather a chance for personal and communal development through specific types of narratives. Horror, then, becomes more than just pleasurable entertainment even through its discomforts: Horror becomes a place of power, both personal and communal.  

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And while some painted Laveau as a raggedy hag preying on the superstitious, it turns out she was quite the opposite. Laveau rose to fame as a healer and herbalist who sought to preserve Voodoo as an African belief system, melding its religious ceremonies with the sacraments and iconography of Catholicism. Her practices, along with her enigmatic persona, ensured that her legacy as the Voodoo Queen of New Orleans remains untarnished while still being shrouded in mystery.

Halloween is here and this is the perfect opportunity to discuss six true but spine-tingling facts about Marie Laveau:

She Was a Voodoo Queen

Marie Laveau is believed to have been born as a free woman of color near the end of the 18^th century in the French Quarter of New Orleans, and many have described her as a devout Catholic who went to mass every day of her life. However, by 1830, she became one of several Voodoo Queens of Louisiana—with many speculating that she either learned Voodoo practices from her mother and grandmother, while others believe she learned the mystical religion from a Voodoo doctor known as Doctor John.

Whatever the case may be, it’s known that Laveau combined Voodoo and Catholic traditions, which made the Voodoo practices more acceptable to upper-class New Orleans society, and she quickly rose to the position of The Voodoo Queen of New Orleans, as she took charge of public Voodoo rituals and related ceremonies that were held weekly at Congo Square, where people could mix freely regardless of their race.

She Was a Keeper of Secrets

Though she became the Voodoo Queen, Marie Laveau still had to work. She made a good income selling gris-gris, which were amulets originating from Africa that could protect the wearer from harm. However, she also started a beauty parlor, where she was a hair-dresser for the wealthier families of New Orleans. Using her sharp wit, Laveau excelled at obtaining inside information on her wealthy patrons at the parlor by listening to the ladies gossiping. Many scholars now believe that she used this knowledge to enhance her image as a clairvoyant, using the information to provide the clients with practical advice.

The Whisperer of the Final Words

The ladies’ gossip wasn’t the only secret she kept. She also ministered to prisoners and offered guidance and redemption through Christ, often listening to the stories and last words of prisoners on death row. It’s known that Marie Laveau also sought pardons for those she favored, and she would often succeed in securing pardons or at least paying bail.

But the imprisoned and wealthy weren’t the only ones to confide in her. Laveau was known to care for the sick in her community during the yellow fever epidemic of 1878 by providing herbal remedies, and her presence was so powerful that many dying individuals in New Orleans requested her to be by their bedside during their final moments.  

She Was a Potion Mistress

Though we made it sound class or sub-class (depending on the game), Marie Laveau was well-known for her vast knowledge of herbs, roots, and other natural ingredients that were often used for brewing potions. Marie Laveau was known as a potion mistress, with many of the time claiming that she brewed potions that could cure ailments, bring love, or even exact revenge. In fact, many would come to her seeking her unique concoctions in the hope of changing their fate or the fates of others.

Some rumors also stated that death row prisoners would receive poison or other substances before going to the gallows, but this was never proven. It was known, however, that she would prepare them their last meal and prey with them.

The Snake Rituals

During her career as a Voodoo Queen, Laveau made her way to Maison Blanche, which was an underground Voodoo club, where she would perform more elaborate rituals involving snakes. Laveau was known for using snakes in some of her rituals, particularly rituals to evoke the spirit of Great Zombi, with Laveau interpreting the snake’s hisses and relaying the Great Zambi’s guidance to her audience.

The Immortal Voodoo Queen

Following her passing, The New York Times, The New Orleans Picayune, and Daily States described Maria Laveau as a woman of great beauty, intellect, and charisma who was also pious, charitable, and a skilled herbal healer. And though the exact time and location of Marie Laveau’s passing are known, many claimed to have seen her wandering the French Quarter, even decades after her supposed death.

Furthermore, it’s generally believed that she’s been buried in the Glapion family crypt in Saint Louis Cemetery No. 1, though this has been largely disputed by many individuals and scholars. There’s another crypt in Cemetery No. 2, known as the Wishing Vault or the Voodoo Vault, where visitors draw X’s on its white slab in the hope that the Voodoo Queen would grant them a wish. It’s important to note that there’s no real evidence that it’s Laveau’s tomb, but still, hundreds of visitors each year flock to the site in the hopes that Marie will turn an ear to their deepest and darkest desires.

Final Thoughts

Despite all the lore and legends surrounding her life, Maria Laveau did well. She was beloved in the New Orleans community and had the power to give good advice, regardless of whether that power was derived from the supernatural or not. Her actions, such as ministering to those in need and attending to the sick while also providing good advice to those who would listen, made Laveau not only a jewel within the fabric of the city, but landed her in the pages of history forevermore.

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Decorations

Whether you want to turn your garage into a haunted house or simply dim the lights and add some strobes, the visuals are the main ingredient. The party has to feel like your guests are immersed in spookiness, so the decor has to be eye-catching. Throw up some streamers and stretch fake cobwebs over furniture pieces (nothing that will catch on fire of course), then add some plastic spiders to it to top it off. If you’re super crafty, carve out some pumpkins into jack-o’-lanterns and add those around the party. This could be a good way to add some minor lighting in case you’re considering turning off most of the lights to set the tone.

Costumes

It goes without saying, but have your guests dress for the occasion. On your invite, encourage them to go all out and maybe even opt for a costume contest. Some categories to consider when picking winners can be overall costume, best couple, and scariest. This brings an element of excitement as people show up looking to see the competition. Let’s be honest: It kind of sucks to go to a party when people are boring and ignore the theme. Incentivize partygoers with cool prizes, and, depending on how deep your pockets are, maybe even offer some cash prizes too.

Themed Drinks

This is a fun one! While a punch bowl is standard, craft some specialized cocktails (alcoholic and non-alcoholic) for folks to enjoy. You can really get creative with this one as food coloring will be your best friend. Get some plastic syringes and fill them with red Jell-O for a “bloody shot” or orange Fanta with your favorite vodka for some “pumpkin tears.” If you want to take your drink set up to another level, snag a block of dry ice to create ghost-like fog. Try some green coloring in lemonade (liquor is optional) and drop in some candy eyeballs for a ghoulish themed concoction. The recipes and ideas are endless.

Solid Playlist

We go to holiday parties for the people and the fun, but the music definitely sets the vibe. There are essentially two main approaches for whoever is taking the reins of being on “the aux.” You can take the route of curating a playlist in advance that’s full of sounds and music from your favorite Halloween movies or just a general list of “bangers” that’ll really get the party going (I think “Not Like Us” might still hit at a costume party, right?). Either way, make sure the tunes are continuous, as dead air always ruins the mood and draws everyone’s attention in a bad way.

Photo Wall

Did you even go to a party if you didn’t take pictures? An underrated piece to throwing a memorable party is the photo wall. Have a designated area where people can flick it up with props and good lighting. People often spend lots of money and time on makeup to get their costume to killer status so they are going to want to document every bit of it. It’s also a win for you as they post to their social media letting everyone know that you threw a dope party that they missed out on.

Spooky Movie 

Your guests will be there to chat it up and have a good time, but having a scary movie on in the background is a must. Will they sit and watch the whole thing from beginning to end? Probably not, but a few might stumble over to the coach and get sucked into Hocus Pocus if it’s on. This is one of those elements that contribute to the overall ambiance rather than being a front and center feature. Why not throw on Agatha All Along? Lucky for you, if you turn it to ABC or TBS, you’ll most likely catch a marathon of spooky flicks on repeat anyway so that’ll help you out.

Treats

This goes without saying, but food and snacks are a must (especially if drinking will be involved). There are so many creative ways to turn everyday appetizers and desserts into Halloween-themed bites. How about some string cheese with marinara on the tips to look like a bloody finger or popcorn balls with candy corn on them to look like pumpkins? If you’re wanting to cut corners on time, perhaps order a pre-made charcuterie board (some places will even align it with your party’s theme). You can’t forget the sweets! Cookies, brownie bites, or even pretzel sticks dipped in white chocolate with sprinkles for eyes to make them look like ghosts.

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